The Fates
Lawrence Wray
Tugging out a portion of yarn when the strands
she paired entangled, two blending tones –
a dusk hour hovering over the glassy river,
smoothing the blotting shadows that crept
from the banks, lights coming on
in the hillside houses, that hue and the other
a mid-afternoon in the woods on the slope
at the end of the street, look, we’ll say
then, marveling how everything is radiant –
facets she pulled him a long, ragged shawl,
the forest stretching beyond sight in the window
behind her, a pair of scissors at her side,
her breaths taken quick and shallow
as I watched from a corner chair, rendered
anonymous knot by knot when she said she was
confused and forgot where she was going
and how long she’d have before she’d need to pull
the shawl off her needles and tie off
the whole thing, and then in a way she did
when she asked me, what is your first name? –
only son, first born, Larry not at hand until
we hugged goodbye on my last day and she
moaned, oh, honey – oh, oh – already, as it all
came back, my mother, losing me as she had
always to a far-off place when she leaned into me
as light as a wicker basket in my arms.
About the Author
Lawrence Wray’s poems can be found in Plant-Human Quarterly, Vox Populi, and Stone Poetry Quarterly, as well as in Presence, Crab Orchard Review, Poetry Salzburg Review, and Coal Hill Review. His poem “Near the Moment of Passing, Clocks” is included in the anthology Verse Envisioned; “Many Hills Away” is in the anthology The Gulf Tower Forecasts Rain. Lawrence’s first full-length collection of poems is called The Wavering Fledge of Light (Wipf & Stock 2023)
