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The Fates

Lawrence Wray

Tugging out a portion of yarn when the strands

she paired entangled,     two blending tones –


a dusk hour hovering     over the glassy river,

smoothing the blotting     shadows that crept


from the banks,     lights coming on

in the hillside houses,     that hue and the other


a mid-afternoon     in the woods on the slope

at the end of the street,     look, we’ll say


then, marveling how everything     is radiant –

facets she pulled him     a long, ragged shawl,


the forest stretching     beyond sight in the window

behind her,     a pair of scissors at her side,


her breaths taken     quick and shallow

as I watched from     a corner chair, rendered


anonymous knot by knot     when she said she was

confused and forgot     where she was going


and how long she’d have     before she’d need to pull

the shawl off her needles     and tie off


the whole thing, and then     in a way she did

when she asked me, what is your first name? –


only son, first born, Larry     not at hand until

we hugged goodbye     on my last day and she


moaned, oh, honey – oh,     oh – already, as it all

came back, my mother,     losing me as she had


always to a far-off place     when she leaned into me

as light as a wicker basket     in my arms.

About the Author

Lawrence Wray’s poems can be found in Plant-Human Quarterly, Vox Populi, and Stone Poetry Quarterly, as well as in Presence, Crab Orchard Review, Poetry Salzburg Review, and Coal Hill Review. His poem “Near the Moment of Passing, Clocks” is included in the anthology Verse Envisioned; “Many Hills Away” is in the anthology The Gulf Tower Forecasts Rain. Lawrence’s first full-length collection of poems is called The Wavering Fledge of Light (Wipf & Stock 2023)

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