This morning on my bike, Scarlet
Emily Kay MacGriff
into grief told Violet about the moment his mother died, unbeautifully
pulling at air with a picture of her children on her chest, in silver,
or perhaps I imagined that part. Her works of art, he said, there was a mask
he grew into, he said, and he cried for twenty minutes into her unyielding body after it broke
apart from all the twenty things he couldn’t say when she was supple.
I wondered where death started, exactly, in her body,
whether knowing could show me where to find mine.
Rose said he found death a second time at the base of his tongue, upgraded
against the medical imagining tuned to a different organ,
and I wondered whether her artwork was the picture or the placenta
she ate, maybe
threw away. I wondered whether Scarlet had it on his calendar to come bear
witness, if not the frame, and how I might search for air in my own way
when the time comes, when
Lake St. Clair is clear of this fog
changing, remembering the line in Children of Men
about the inner ear cells dying, a far away tintinnabulation.
About the Author
Emily Kay is a writer, professor and storyteller living in Detroit. She earned an MFA in Writing from the School of the Art Institute of Chicago, founded the MacGriff Writing Studio and worked with the Outdoor Writers Association of America. She teaches Climate Narratives and Advocacy through the College for Creative Studies’ Design for Sustainability MA/MFA program.
